ICFF unveils rebrand
(USA) – International Contemporary Furniture Brand (ICFF) has unveiled its new branding in line with the show’s 35th anniversary.
ICFF, to be held 19-21 May at the Jacob K. Javits Convention Center in New York City, has unveiled a new campaign designed to highlight its marketing evolution under the direction of Odile Hainaut and Claire Pijoulat. The strategy includes solidifying ICFF’s role as a business accelerator, transforming the brand into a 365-day-a-year platform. Clarifying its objective of being at the centre of design culture, community, and commerce.
Inspired by New York City, the rebrand is said to reflect ICFF’s hometown. Designed by award-winning creative agency, forceMAJEURE, the logo features a heavy wordmark reminiscent of the densely populated city juxtaposed with a lighter typeface that symbolises its softer side.
forceMAJEURE redesigned the logo of a black square and four letters and added colour to represent each distinct ICFF features yellow for Wanted (forceMAHJUEURE also designed its visual identity), green for Oasis (which focuses on sustainability), and blue for the new Bespoke area (which centres around high-end craftsmanship), with plans to add more in the future. Using colour brings a sense of excitement and warmth to a brand that is repositioning itself.
Odile Hainaut and Claire Pijoulat, ICFF Brand Directors, says: “We want to shift away from a more corporate identity to mark a new chapter for ICFF. By reimagining the brand’s core, we are unveiling a fresh look, positioning the show as the leading North American contemporary design fair at the forefront of the industry. Our goal is to inspire, engage, and support design companies and enable success. This direction affirms our commitment to design excellence beyond the show and infuses an energy and creativity that speaks to emerging audiences.”
The forceMAJEURE team adds: “Our vision for ICFF is highly connected to New York City, its home. The city truly embodies everything the brand communicates. It is bold and universally recognised. It is international. It is a portal to the U.S. market, where dreams are accelerated, and inspiration is plentiful. Taking a birds-eye view of the city and its iconic grid, we see large blocks from the avenues of buildings and observe an infinite sense of modularity. The elevated new logo embodies the functional and emotional allure of ICFF, evoking confidence and innovation but also creative possibilities.”
Voting opens for 2023 [d]arc awards
(UK) – International design community asked to cast votes following panel shortlisting process.
With a judging panel made up of lighting designers from the 2022 40under40 competition – including Eugenia Cheng, Andrea Levratti, Jenny Bland, Pinar Onat, Nicola Houel, and Sophya Acosta – the shortlisted entries for the 2023 [d]arc awards have now been selected.
As the only lighting design awards in the world to use a peer-to-peer voting system, the winners of the 2023 [d]arc awards will now be decided by the wider design community, with all independent architects, lighting designers, interior designers and product designers invited to vote for their favourite projects and products.
With 14 categories in total – covering high and low budget lighting design projects, as well as light art installations, and products - for the decorative lighting sector, shortlisted entries include:
Kit Category
- Astro Lighting’s Ako
- Vibia’s Array
- LUMi Collection’s Bola Ego Glass
- Da Light Hub Bespoke’s Devaalaya
- Baranska Design’s Frozen Lake
- tamasine Osher’s Grain
- Xiamen Leedarson Lighting’s Jinshang Pendant
- Empty State’s Light Pipe
- Lladrò’s Llandò Soft Blow by Luca Nichetto
- Occhio’s Luna
- TM Lighting’s MasterLight
- John Beck Steel’s Monitor Floor Lamp
- Xiamen Leedarson Lighting’s Ningxiang Pendant
- LightArt’s Ocean Coil Marina
- Serip’s Origem Outer Core
- Duncan Meerding’s Propeller Blossom 1000 Pendant
- XiamenLeedarson Lighting’s Ruoshui Pendant
- Geoffrey Cameron Marshall’s Sepiida Floor Lamp
- Adams&Co’s Strata
- Rousseau Design’s tempus 2023 Edition
- Tyson London’s The Jewel Collectio,
- Xiamen Leedarson Lighting’s Tianchang Pendant
- ScenoLight Atelier’ V-bOwl
- Xiamen’s Leedarson Lighting’s Yingzhu Pendant.
Art Bespoke Category include:
- Böm, USA
- Caesars Atlantic City Rotunda Fixture, USA
- CŒUR Bristro, Germany
- Coster Stone, Spain
- Garlo I Chaise Longue, UK
- Infinitree, UK
- La Mamounia, Morocco
- Lighting Tune Norway
- Luna Sphere, China
- Moon Flower, UK
- Samai, India
- Winds Whisper, Taiwan
Independent designers have until 1 March to view all entries and cast their votes – simply head to www.darcawards.com/vote for all information on the voting process.
As a thank you for getting involved, all voting designers will be invited to attend the [d]arc awards party for free.
Taking place at the famous Fabric London night club on 27 March, this year’s event will adopt an 80s theme - featuring 80s inspired light art installations from the event’s designer / manufacturer partners; retro gaming; an 80s playlist; 80s inspired dining and an encouraged 80s dress code.
www.darcawards.com
[d]arc sessions Asia
For specifiers and suppliers of international lighting projects; [d]arc sessions is an intimate, relaxed space to share ideas, specify projects and network. Curated by [d]arc media, the two-day programme comprises a series of meetings and seminars interspersed with ample networking opportunities within beautiful surroundings.[d]arc sessions is a series of events connecting the very best people creating exceptional lighting projects around the world.
It takes place twice a year (once in Europe and once in the Middle East) and comprises four key elements: Speed+Sync meetings; Symposia speaker sessions; Sustenance breakouts; and Social celebrations. Guests attend [d]arc sessions to specify and source projects; to escape, regenerate and rebuild, in beautiful, spacious surroundings.
To get involved in the next edition of [d]arc sessions, head to: www.darcsessions.com
Maison & Objet Highlights 2024
Maison & Objet, the major French trade fair for interior design returned for its bi-annual appearance at the Paris Nord Villepinte Expedition this January. darc’s Web Content Creator Ellie Walton attended the show to marvel and discover the latest and greatest the show had to offer from the lighting industry. Amid her exploration, she encountered a captivating mix of new and familiar products, each leaving an impression through their geometric and abstract shapes, illusive use of light refractions or simply show-stopping design. Dive in to what caught darc’s curiosity in our Maison & Objet 2024 highlights below.
Endless wall lamp by Design By Us
This is not your ordinary wall lamp, its sleek, its function-able and mysterious. The Endless wall lamp transcends the ordinary with a front adorned with a reflective mirror that fades away when turned on. Precise and contemporary, its alluring design can fit into an interior space to give a touch of glamour while simultaneously creating a sense of space and airiness with its reflective mirror. This lamp is universal as a standalone fixture or an ensemble. Ideal for restaurants, hotels, showrooms, or for the home in bedrooms, hallways and even bathrooms.
Applique B206 wall sconce by Michael Buffet
Created in 1953 by designer Michael Buffet, this sconce is part of the re-edition collection with Disderot, celebrating 1950’s to 1970’s French design. This unique lamp with abstract geometric shapes has proven to stand the test of time, perhaps even been before its time, with a sleek contemporary finish perfect for minimalist styles looking for an edge. Ideal for bedrooms, hallways and as reading lamps.
Mezzaluna by Bruno Gecchelin
Another re-edition vintage piece brought the show by DCWeditions alongside the designer himself, Bruno Gecchelin. Made in 1974, and produced by Skipper and Pollux in Milano, the floor lamp has a chrome plated tubular structure, a white marble base, and a black-enamelled head that adjusts to suit. This would be a sleek vintage piece to work as a reading lamp in living rooms, home libraries and offices.
Focus by Yuji Okitu
The Focus pendant is designed by Tokyo-based architect Yuji Okitsu who has a unique sensibility across fields of architecture, design, and art. DCWeditions displayed the light that suspended similarly to a mobile structure so that the bubble-like pendants floated elegantly. Each luminous disc is made of acrylic glass and provides illumination through Fresnel lenses that focus and refract light. The Focus lamp has a flexible aluminium base available in black or white. This pendant lamp is available with three lenses, Focus x3 to Focus x 5, with a span of 99.8cm to 160.8cm, this airy light can create a sense of tranquillity in any room.
Lamina by Sandra Peters
Lamina comes from the By Eve Black collection of luxurious and extremely refined lighting designs and works of art. The Lamina is made of vertical discs of dark coloured glass with a round wooden base; light seeps out between the discs of glass leaving a fascinating play of light and various shadows through the laminas. The composition of dark and light the Lamina creates makes it a great atmospheric piece for relaxing settings in the evening. There are two available sizes for the Lamina, one 29cm x 20cm or 21cm x 40cm.
Maison & Objet Sustainable Standouts in Lighting
During Maison & Objet this January, darc’s online content creator Ellie Walton sought-out the purpose driven creators that are crafting products that blend opulence with durability as well as leaving a positive impact on our planet. Read on to discover her findings.
Sustainable designers are the vanguards that are leading the charge of the transformative change the industry needs. These designers aren’t just redefining longevity but also championing progressive production methods and innovative material applications.
During my time at the Paris-based fair, I found products that won’t just live a lifetime but can also live a life, one that is born and then dies through biodegradable properties. The following designers are those I found leveraging their platform and brand to embrace sustainable design, from the use of recycled materials to the treatment of garment workers. In the lighting industry, these visionaries are wielding their power of design to shape consumer habits, fostering an environment where conscious consumerism can truly flourish.
Originalhome’s Bottle Cap Lamps
Originalhome’s commitment to sustainability is evident in its design philosophy, effortlessly infusing a cool and laid-back vibe into any space. The rattan-style lamps stood out offering a touch of shabby-chic bohemian elegance that boasts an aesthetic that withstands time.
These rattan looking lamps are crafted with a unique twist – recycled bottle caps taken from the coastlines and rivers of Indonesia. Speaking to the designer said “Normally people use the bottom of the bottle because they’re easy to use and transparent. The Bottle caps, however, are lot harder to use and recycle, so we found a way to recycle them. The downside, or perhaps upside, is that the lamps can only be available in green, blue, or brown.”Using the harder pieces of plastics allows the lamps to be stronger and more durable, making them suitable for both indoor and outdoor environments. 
The company’s dedication to sustainability extends beyond the product itself. Each item is meticulously handcrafted, and the only machine used in production is for the recycling process of the bottle caps. The company also calculate the CO2 emissions through the entire production and distribution process in which it proportionally gives back through initiatives like planting trees and providing cooking stoves to women in India. Originalhome understands that we live in a world where conscious consumer choices matter and offers products for style and impact.
N-Lobjoy Porcelain Paper shades
Nathanaëlle Lobjoy, artist and craftsman, seamlessly blends poetry into decoration through her exquisite paper lights, crafted and plant-based materials sourced from Europe. Employing a combination of pencil, pen or even brush, Lobjoy intricately creates floral and plant-inspired designs, which are artfully printed onto the lamp shade. The shades themselves are fashioned using a papier-mâché technique, showcasing Lobjoy’s unique modelling and craftmanship that imparts the illusion that the lamps are biscuit porcelain – a traditional European un-glazed, matte porcelain finish.
She tells me that the underlying concept of her designs is to create functionable products that are like hanging art by day then lights by night.
In a transformative journey spanning 30 years, Lobjoy transitioned from using chemically harmful and unsustainable materials. Seven years ago, she committed to minimising her use of harmful chemical materials and contribution to landfill. Expressing her stance, Lobjoy says: “I don’t believe it’s necessary and I do not want to contribute adding more dust into the world. For the decoration I chose paper because it takes less energy, and it removes the need to use other chemicals and products like polish. The only manufacturing energy comes from my hands to transform the pieces.”
The environmentally conscious approach also extends to the recyclability and biodegradability of Lobjoy’s paper lamps shades. As they are crafted from paper, the shades can be completely recycled thus creating more recyclable paper, which becomes more accessible and re-useable. Ultimately, this ensures Lobjoy’s materials are abundant for her continued creations with unique patterns.
Let’s Pause “Leather” lamps
Nestled in hall 8 of Maison was the brand Let’s Pause, a company that is rooted in its sustainable philosophy and creating synergy between design and nature. Among its showcased products was the extraordinary lamp shade known as ‘Couro’, which translates from Portuguese to mean “leather”. Contrary to its appearance, the material may look like leather but is in fact derived from the leaf of a palm tree, which the brand will only harvest when the tree has blossomed and shed its leaves to the ground. The leaves are then steamed to attain flexibility and take shape using only sewing – a simple handmade process that doesn’t use any machine-powered energy.
The visual resemblance to leather, coupled with a tactile sensation, creates a trompe l’oeil effect through its stretchy and flexible leather texture. 
Also, not only does the shade’s appearance mimic leather but it equally matches its durability. Let’s Pause boasted at the show that the shade has a perpetual lifespan. However, if the customer desires a change or to dispose of the product it can simply be removed and recycled back into nature through decomposing the material. Its versatile nature makes it equally suitable for home decoration or illuminating counter tops and bars in a hospitality setting, embodying a philosophy that seamlessly fuses ecological consciousness with modern chic.
Ay Illuminate Continental Lanterns
On the way out of Hall 8 it was hard not to be stopped by the stunning display of Asian Lantern-inspired shades. Suspended gracefully over a stone bench was the Z Series, a creation by conscientious brand Ay Illuminate, with its captivating zen-like arrangement. The meticulous craftmanship and unique array of material could compel anyone to stop and appreciate the artistry.
The Z Series lanterns are offered in three sizes, each featuring covers crafted from a diverse array of materials sourced from various countries including Afghanistan, Senegal, and the Philippines. Each lamp is unique as a result of its hand-crafted production and the various materials available for the covers such as cotton, cashmere, sisal netting and carboard. The neutral and dark shades emanate from the material itself or from the use of natural ingredients such as tea.
Notably the framework of the lantern is composed entirely of bamboo. Designer of the Z Series, Ay Lin Heiner, says: “We use bamboo because its strong and looks clean but is also completely sustainable. Bamboo is like grass; you can cut off branches and it will quickly grow back as well being completely biodegradable.”
Ay Illuminate maintains a commitment to sustainability by having the lanterns crafted in the same location as the cover’s material is sourced. According to Heiner, the brand works with villages to provide jobs for the locals and focuses on providing opportunities for women and girls to learn craft and new languages such as English, fostering their independence.
The use of natural materials in the pendant lamps makes it an ideal choice for home décor, restaurants, and bars for those aiming to showcase a blend of opulence and authentic spirit.
A new chapter for ICFF
(USA) – New York-based International Contemporary Furniture Fair (ICFF) celebrates its 35th anniversary with a new direction for the show.
The ICFF team is reshaping the core of its brand to remain one of the leading contemporary design fairs. Its aim is to solidify its position as the entry point to the U.S. market for international brands, clarify its objective to be at the centre of culture, community and commerce and be appealing to the next generation, plus amplify content year-round to support design brands.
As part of the translation of its new vision, a new identity for the show has been created by New York-based creative agency forceMAJEURE. The new aesthetic features a solid, heavy wordmark reminiscent of the densely populated New York City, which is juxtaposed with a lighter typeface.
“New York City is substantial, to say the least. The density, scale, and span of the buildings have a way of making you feel small and empowered at the same time. New York City’s famous grid was created to combine beauty, order, and convenience. Today, the grid is so famous that it has inspired branding for the city itself, making it recognizable on a global scale. Our design work within this rectangular framework brings a million possibilities for unique expression that speaks to spatial design and is very much a tribute to the spirit of New York,” states the forceMAJEURE Design Team.
ICFF will tap into the expertise of RADS, Rodolfo Agrella Design Studio, to implement the new branding into the show floor and create the 2024 look and feel for the fair. This will include the talks on the Mainstage and The Oasis; the Wanted Lounge; The Restaurant; and the Fair’s overall wayfinding aesthetic.
Official branding will be unveiled sometime this month.
“Given ICFF’s 35-year history, we felt it was time to redefine and rebrand ICFF to solidify, clarify, and amplify our design messaging and content. Since ICFF is the leading contemporary design fair in the U.S., we decided to concentrate on the most important products, technologies, and issues facing the industry and partner with global, high-quality brands that reflect ICFF’s ethos. Our long-standing collaborations with the industry increase our engagement year-round with the design community, allowing us to enhance ICFF’s brand visibility across design communities around the world,” says ICFF Brand Directors Odile Hainaut and Claire Pijoulat.
As part of its continued focus on sustainability, ICFF is making changes to decrease the show’s carbon footprint and lessen the amount of waste it produces. Efforts include removing most of the carpet from the show floor, renting walls instead of building them, using recyclable material for all signage, placing water fountains throughout the floor for refillable bottles, using low-energy lights, and asking the food vendors to avoid single-use plastic. It is also encouraging all participants to follow its lead and do what they can to lessen their carbon footprint at the fair.
With the ICFF Talks on the Mainstage and The Oasis, the main programming topics for the fair this year include:
- Sustainability and materials
- The best in making and producing, from hand-made and high-end craft to new industrial innovations and technology-related processes.
- Business and collaboration opportunities in the U.S.: how to achieve company goals, understanding the U.S. market better, design landscape, and needs.
- Education, including diversity in design, original design, and new tools (AI)
Further new additions to the show include a more curated, accessible, and user-friendly experience. The show floor will include more spaces to explore, lounge, network, and have conversations. New dedicated areas have been created for complementary products such as Materials, Outdoor Living, and Kitchen & Bath. The latter will also feature a lounge area for dedicated programming. The newly designed spaces will offer activation and communication opportunities for attendees, including Bespoke: The Art of Making; Design School Workshop presented with media partner Core77 and conducted with Pratt Institute and Honda R&D Co., Ltd. Honda Design; ROOM + OFS Podcast Studio; and The Library in partnership with Phaidon.
Dedicated to emerging design, WantedDesign returns as a centrepiece of ICFF with Look Book, Launch Pad, the Schools Showcase, and the new Design Schools Workshop.
Returning this year at the heart of the fair, The Crossroads will be a collaboration between the ICFF brand directors; Creative Director David Rockwell, founder of Rockwell Group; and co-curator and editor Pei-Ru Keh. Sustainability, in its complex and multifaceted form, serves as the focal point of The Crossroads’ second iteration. This year’s exhibition will spotlight the way designers seek to preserve long-honored craft traditions, together with how they push the boundaries of circularity to consciously re-think the legitimacy of material use. It will also highlight the different ways creative communities can make design more accessible to all, whether through more inclusive cultural representations or deeper community-wide engagement.
Programming curator Tiffany Jow, Editor-in-Chief of Untapped, will develop and host talks at The Crossroads with Pei-Ru Keh.
The core talks will occur on the Mainstage and The Oasis space. The Mainstage is sponsored by Turf. Additionally, focused conversations will take place in new dedicated spaces such as Bespoke, Crossroads, Look Book with media partner Dezeen, and Kitchen + Bath.
The Oasis will continue to host conversations about sustainability and conscious design topics. The Welcome Lounge, The Restaurant, the ICFF Editors Awards, and other features will also return.
Many country groups from around the world are joining ICFF in 2024 for the International Pavilions, including Norway, Brazil, Portugal, and Romania to name a few.
ICFF is evolving beyond the fair to promote its partners year-round through expanded editorial content and programming, networking, and promotional opportunities. Throughout the year, it will amplify partner and exhibitor materials across its channels (digital, newsletters, social media) and support events such as showroom activations and partnered programs to engage and educate the design community. Plans for 2024 include a networking opportunity in Paris in January, a global virtual press preview in February, a Look Book talk in NYC in April with media partner Dezeen, an event in Milan in April, and a networking designers’ trip to Design Week Mexico in October.
“Rather than ICFF being just a three-day event, we are building a brand to speak to the design community 365 days a year, on all platforms. We want to keep the conversation going and continue to provide relevant stories for the entire design spectrum from students and emerging designers to more established designers and architects. We are promoting all through our channels to make it a real added support to the industry,” says ICFF Brand Directors Odile Hainaut and Claire Pijoulat.
The next edition of the fair takes place May 19-21, 2024, at the Jacob K. Javits Convention Center, New York.
In Conversation - Lights on Screen - Glass Onion
In issue #51 our editor Sarah made a fascinating series on where she uncovers the products and people of the lighting industry that have found themselves working in the movie industry. In November 2023 Sarah speaks to set designer John Mchughes and Qusaur founder Arjens Van Gammeren and their collaboration on Netflix's hit movie 'Knives Out: Glass Onion' where the Qusaur chandlier was featured in the iconic dining table scene.
Tonone to launch new Bridge lamp
(Netherlands) – Tonone is soon to launch a new product to its collection, Bridge, a lamp that allows for graphic interplay of lines and various compositions that have taken inspiration from the construction of bridges.Like the real architectural structure, Bridge has different supports, so that the load-bearing capacity is evenly distributed along its length. Avoiding the use of power cables, electricity is conducted by steel cables, which are also used to hang the lamp.
This design lamp is made of recycled plexiglass and is available in two neon colours and in an opal colour. The transparency of the material creates an interesting layering and impressive light output. The three colour variations available are: Fog White, Lava Orange and Toxic Green. In addition, the lamp is available in different lengths: 110, 150, 180 and 220cm. Due to the choice of length and colour, Bridge is a versatile fixture suitable for various environments.
Bridge is – like all other Tonone lamps – an original Dutch design by Founder Anton de Groof, who has been creating functional lighting designs since 2008 by combining mechanics and traditional tools. Together with local specialists, the Tonone team is continuously working on making the design and production process more sustainable.
Artist Stefano Colferai creates stop-motion series with Foscarini
(Italy) – Milanese artist Stefano Colferai callborated with Foscarini in an animated stop-motion series exploring the relationship between light, lamps, individuals, and the home.
In his series for Foscarini's "What's in a Lamp?", Colferai was inspired by another editorial project from the brand: VITE by Foscarini and Gianluca Vassallo, which demonstrates the emotion and atmosphere a Foscarini fixture can bring into the home.
The two created an animated series in which the brand’s lamps seamlessly integrate into the daily life of a friendly plasticine character throughout the day, from morning breakfast to evening binge-watching TV while accompanied by the light and form of the lamps in different rooms.
The collaboration between Colferai and Foscarni occurred through a shared interest on light, attention, an appreciation for form and craftmanship. Colferai said: “I found Foscarini's VITE project fascinating from the start, depicting the relationship between light and lamp, person, and home through photography. It was greatly inspiring for me to capture imperfections in the shots of these narratives where light is abundant, attempting to question how the relationship between a person and their home has changed over the years."
Colferai adds: “The character experiences his daily routine accompanied by the light and form of the lamps in different rooms, preserving the language that characterises my artistic style with the same spontaneity as the VITE stories.”
Colfarai also discussed how light plays a role in his art, he said: “[It] is fundamental: my works wouldn't exist without photography! While there’s consistency in the lighting of my works, I've conducted extensive research over the years to find the best relationship between my subjects, set, surroundings, and lighting, attempting to construct narrative through light. Communicating through photos and videos, the right light can significantly enhance a sculpted piece and frames arranged in sequence to create an animation, establishing the proper atmosphere, and defining the body and character of each scene. Studying the light in every animation or still frame is one of the moments I invest the most time in, along with modelling.”
To watch the Foscarini stop-motion clips visit @foscarinilamps on instagram
Home & Lifestyle Show Previews
(UK) – The highly anticipated inaugural Home & Lifestyle Show (H&L Show) is only a month away. We’ve created a preview list of product highlights to kickstart your visitor plan.
The H&L Show will take place at the January Furniture show on 21 – 24 January 2024 at the NEC Birmingham, the H&L Show offers visitors the opportunity to explore lighting, furniture, homewares, upholstery, and lifestyle.
H&L Show is marketplace for interior designers and retailers to seek the new season’s product offering, as well as see the latest launches and designs hitting the market. The show will include an array of lighting brands including: Dannells, Gallery Direct, Mindy Brownes Interiors/Genesis Fine Arts Limited, Paulmann Licht, Premier Housewares, and more.
Below is a curated list of some the exciting products some of these brands have to offer:
Finishing Touches Bedroom Table Lamp
Finishing Touches' effortlessly sophisticated bedside lamp’s design embodies refined taste and opulence, creating a product where functionality meets sophistication. Finishing Touches is the perfect brand for those looking to mix artistry and furnishings in a creative way.
Dannells Lampshade Making Kits
Dannells’ Professional Lampshade Making kits give designer-makers the power to create their own 70cm and 15cm lampshades with 13 styles to choose from. These professional kits allow design-makers to create stylish and bespoke lampshades for their clients from their own choice of fabric and paper.
Paulmann URail rail and Corduo cable system
URail rail and Corduo cable systems are suitable for both residential and commercial spaces. Paulmann’s focus on innovative lighting systems is unparalleled and the URail rail and Corduo cable systems are designed for function-forward lighting solutions, allowing light to be freely distributed throughout the entire room, regardless of the position of the power supply.
Kelston House International Metal and Marble Floor Lamp
By blending a mix of modern design and grandeur, Kelston House International has created a floor lamp that doubles as a sculptural centrepiece. The lamp’s visual blends contemporary aesthetics with a choice of marble. This piece is perfect for living spaces adding a touch of grace and poise to understand decor without being overpowering.
Premier Housewares Wyra Champagne Gold Frame Pendant Light
If you’re looking for up-and-coming trends, the geometric iron frame shade piece, due to its modern slender design and champagne gold finish. This pendant light creates a captivating play of light and shadow that looks splendid on its own or with accompanying lights hung at different heights. Perfect for those looking for a luxe aesthetic.
Paulmann Plug&Shine Outdoor Lights
The Plug&Shine range is an ideal weatherproof cable system with its flexibility to be expanded, depending on the garden’s path, walkways and patio size and style. No matter the design and lighting requirements of the space, the Plug&Shine system is perfect for any sized garden or outdoor space and can be controlled with an optional controller.
The H&L Show also offers facilitated networking opportunities with the industry via, a Champagne Bar, a Show Party featuring the Furniture awards, and a Women in Furniture ‘Speed Networking’ event.
Click here to register and find out more at www.thefurnitureshows.com
[d]arc awards extend entry deadline
After being inundated with a number of requests for more time, the [d]arc awards entry window has been extended.
Now for all project, event, and product categories, there will be a new deadline of 25 January 2024 to enter submissions.
Organised in collaboration with Light Collective, the [d]arc awards utilise the worldwide reputation of arc and darc magazine, and offers a unique opportunity to showcase your work to the global design community.
Anyone can enter, including lighting designers, architects, interior designers, or manufacturers. Once the shortlist has been chosen by an international jury, independent lighting designers, architects, interior designers, and product designers can vote on their favourite projects and products, making this the only truly peer-to-peer lighting design awards in the world.
All submissions are published on the website and entrants also benefit from a free [d]arc awards directory company profile – a comprehensive online lighting design resource that can be used by designers and clients for inspiration.
The winners will be announced and aired at the [d]arc Awards party, [d]arc night, on 27 March 2024 at fabric London.
Discover more at www.darcawards.com
