Muutos
Muutos, introduced at London's Design Festival 100% design, is a fusion of modern design with a traditional craftsmanship, a demonstration of crystal’s amazing maliability. Made from molten bohemian crystal glass poured into hundred year-old molds, each piece is left to cool slightly before the glass is transformed by hand into its final organic shape.
Fatima
This modern take of Moroccan style lighting, introduced at London Design Festival 100% design, incorporates clean lines while embracing the heritage of its design influences. A contemporary interpretation of the Moroccan tagine, the Fatima evokes memories of exotic destinations, spicy aromas and vibrant flavour, adding warmth and richness to a space.
Yau
The Yau lamp is a pendant piece with pure and organic lines inspired by a single drop of water (Yau is Japanese for night rain). The piece was the first in a mini-series of lamps and furnitures inspired by organic forms and featured at the London Design Festival 100% design. It is produced from oil-finished Japanese Maple and is 25-inches tall.
Torus Pendant
The Torus Pendant, introduced at London's 100% design 2014, is part of the new Wire Collection from Rousseau. All lights are constructed using concentric powder-coated CNC formed steel rings around a central hub and featuring a matching powder coated base. Pieces are available in five colours (red, orange, pink, black, white).
Dish Pendant
Hope and Hammer is a multi-discipline design and manufacturing studio based in South East London. Following a successful Kickstarter campaign it launched its first collection at 100% Design 2014, which includes the Dish Pendant, a hand turned American Walnut, White Oak or Sapele pendant lamp.
deFUSE
The deFuse Light, introduced at London Design Festival 100% design, suffuses large areas with a combination of diffused and directional light. The polyurethane-coated and CNC-milled dense polyurethane piece is lit with linear LEDs spread across its top face. Its slim design makes it suitable for spaces where views should not be interrupted.
BuzziDonut
The BuzziDonut, featured at London Design Festival 100% design, is a ring shape constructed from honeycomb cardboard and foam, covered with ecologically produced BuzziSpace fabrics such as BuzziFabrics and BuzziRoughs. Designers can choose the lighting element that best suits a particular space and place this at the centre of the ring. The result is a sound-regulating and light-producing element all in one.
Glow in a Dome
The Glow in a Dome table lamp, introduced at London Design Festival 100% design, exhibits a distinctly Victorian aesthetic. Available in silver or brushed brass with a choice of coloured glass domes, the piece features a traditional filament bulb at its heart, placed on display as if a specimen in a museum or part of an early demonstration of electricity.
Albino
Nicholas Rose balances purity with any chosen colours to create his Albino lampshade range, which featured at London's Design Festival 100% design. Floor standing, pendant or surface mounted, the shade has sleek contours that provide more than a touch of class to any contemporary commercial or domestic interior. Diameter 25cm, height 25cm.
Balloon
These hand-knitted Balloon pieces, featured at London Design Festival 100% design, bring character and colour to a space. Available in two sizes the Balloon can be used in a multitude of configurations: laid on a table or a desk or hanging from a ceiling. Its long tail can drape across a room or tied into knots to created added volume or reduce drop height.
Mole
Mole, introduced at London Design Festival 100% design, brings together the stark beauty of brutalism with the friendly grace of a carillon of bells. Each pendant is a smooth-surfaced, rough-edged, concrete form, measuring 100mm heigh, 100mm in diameter and delivered with a 1,500mm cable. The cable is available with a plastic mesh finish.
Vintage Pieces
Buenes-Aires-based company Red Sur designs and produces contemporary lamps with an emphasis on conceptual, formal, identity and material experimentation. The exception is its ‘Vintage Pieces’ collection, a range that includes designs from the ‘50s, ‘60s and ‘70s, as well as new takes on classic forms, and featured in London's Design Festival 100% design.
